Saturday, January 03, 2015
Two by Parker Bilal
I was struck in reading this pair of novels by how much Bilal (who also writes as Jamal Mahjoub) has created a modern, Egyptian equivalent of classic noir. Dogstar begins with kidnapping and murder of young boys, and suspicion cast on the Christian community; Burning Gates deals with theft of artworks and archaeological antiquities in which an Iraqi military man is implicated. Makana continues to be close to the archetype of the noir hero as described by Raymond Chandler in his famous essay on The Simple Art of Murder: the honorable loner in the mean streets of, in this case, Cairo. Makana lost his wife and daughter in their flight from Suday, and he continues to be haunted by that loss (a major factor in the plots of both the recent novels). He also remains, despite adversity, true to humanistic principles. The mystical overtones of the plot in Dogstar and the focus on corruption in the second add depth to both stories.
Makana's room in a floating house, his landlord's family (especially the young daughter), and various running characters enrich the stories, but the voice is Makana's (though the stories are told in the third person). The vividness of the writing, the pessimistic portrayal of social and political conditions, and the dour Makana are the key attractions, in addition to some humor and a glimpse (from an outsider's point of view) at the distinctive quality of life in Cairo. These are not short books, but the story flows aloong in a compelling way: I highly recommend the whole series.